HOWTO Set Up An Analog TV Station

OMG TV , which bills itself as “the only analog station in NYC,” has spent the last two months broadcasting on Channel 14 in New York. So what on Earth are they showing? The station aggregates online video content and then lets viewers vote (online, ha!) on what makes the televised broadcast. Sounds assbackwards, but that’s part of the point. According to the founders: On the web, so many options create a panic of possibilities. On OMG TV, there is no fast forward button or other videos to distract you. In OMG TV’s simplicity you can sit back and watch one video at a time. The station was created by Jon Cohrs, who also founded the Urban Prospecting movement we wrote about in May. What’s particularly cool about the project isn’t the content itself, but the fact it shows you could easily do this, too. Jon created an Instructables guide on how to set up your very own local analog tv station — everything from first finding some “whitespace” to locating a transmitter. Here’s part of Step 1: Find a Free Channel : Although after the 2009 DTV transition in June a lot of “whitespace”(i.e. unused television bandwidth) became available, most of this whitespace is still legally dubious and many of these channels are still tied to the original owners via legal identity and copyright. However, because of this legal ambiguity a lot of free space is still up for the taking. The best option for finding free space is the FCC’s own search engine for these things Thanks, FCC!!! image by georgia.g

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HOWTO Set Up An Analog TV Station

Video: The Virtusphere Revisited

Vice Magazine profiles the maker of the Virtusphere , essentially a stationary hamster ball for humans who want to do VR and interactive gaming. Note: Sorry for the pre-roll ad.

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Video: The Virtusphere Revisited

Vizio connected HDTV remote reminds that everything is turning into a PC

Available soon, budget HDTV maker Vizio will soon be selling televisions that can stream internet content, including Netfli, Amazon, Showtime, Yahoo widgets, and more . But check out that snazzy slide-out QWERTY keyboard! Previous ⌦ DIGITAL PICTURE FRAME REMINDS THAT EVERYTHING IS TURNING INTO A PC

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Vizio connected HDTV remote reminds that everything is turning into a PC

NEC’s massive 43" curved display soon on sale

The 2880×900 pixel resolution of NEC’s CRV43 curved display is perfect for gaming, but at $8,000, it’s not everyman territory. It has a 10,000:1 contrast ratio, 0.02ms response time, and is claimed to cover 100 percent of the sRGB color gamut. It hooks up with DVI-D and HDMI, and includes a USB 2 hub. I saw this in person at CES a couple of times while it was in development: what you don’t see in this product shot is that it’s actually an oldschool rear-projection unit, with a nine inch rear. After the jump, a gallery!

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NEC’s massive 43" curved display soon on sale

Digital picture frame reminds that everything is turning into a PC

It’s just an OEM design for the moment—the sort of thing Asian manufacturers create to show off their chops to entice better-known brands to partner up—but this digital picture frame from SilverPac is sort of hilariously overpowered, underlining yet again how everything is slowly but surely becoming a PC: it has Wi-Fi, instant message clients, and even a web browser. (It runs Windows CE.)

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Digital picture frame reminds that everything is turning into a PC

E Ink acquisition sets stage for color epaper by 2010

Reuters : Prime View said on Monday it would pay about $215 million for E Ink, whose flexible digital displays are used in Amazon’s Kindle and the Sony Reader. … E Ink Vice President Sriram Peruvemba said the deal would provide the financing and manpower needed to fuel development of color displays, slated for mass production at the end of 2010. Previously: ⌦ Fujitsu Flepia is slow, expensive, but heralds a color e-paper age … ⌦ Fujitsu's Prototype “FLEPia” Color ePaper eBook - Boing Boing Gadgets ⌦ Warmer, warmer: e-paper with sub-second refresh - Boing Boing Gadgets ⌦ “Readius” Fold-Up e-Paper Reader is Now a Phone, Too - Boing Boing … ⌦ Steven Johnson on eBooks - Boing Boing Gadgets

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E Ink acquisition sets stage for color epaper by 2010

New HDMI 1.4 standard offers just five confusing options

BusinessWire press release : Consumers will have a choice of the following HDMI cables: • Standard HDMI Cable - supports data rates up to 1080i/60; • High Speed HDMI Cable - supports data rates beyond 1080p, including Deep Color and all 3D formats of the new 1.4 specification; • Standard HDMI Cable with Ethernet - includes Ethernet connectivity; • High Speed HDMI Cable with Ethernet - includes Ethernet connectivity; • Automotive HDMI Cable - allows the connection of external HDMI-enabled devices to an in-vehicle HDMI device. So I just buy the most expensive one, right?

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New HDMI 1.4 standard offers just five confusing options

VFX engineer on why Star Trek ain’t IMAX

My friend, a VFX engineer, shares this frustration with the IMAX version of Star Trek (which she otherwise dug): Just for future reference, ST was not shot in IMAX, and therefore is not a true imax film. imax is 65mm, 15-perf film, with an aspect ratio of 1:1.37 and a MASSIVE amount of image area, approximately 4x the size of VistaVision (VV is also the same format 35mm still cameras shoot, imagine a negative almost four times the surface area of one that was shot in your still camera.) Star Trek was shot in cinemascope, an anamorphic format that squeezes the image on the film, but projects it through lenses that stretch it back out horizontally to its 1:2.35 aspect ratio. C-scope is run through a normal movie camera vertically, (90 degrees to a still camera) and exposes a frame taking up four perfs of film - about half the film area of a 35mm still camera. What Star Trek has done for their imax projection is just stretch their anamorphic cinemascope (1828×1556) image to 3656×1556 and then blow it up by 12% to 4096×1746 where it only takes up 60% of the height of the half-resolution imax - 4096×2988. (that is, unless they have cropped in at the sides to literally do a pan&scan on the 1:2.35 cinemascope image, ugh!) The end result of all this unsqueezing and blowing up is that at the very best, you will get an image that has 1/8th the information of a standard imax image. What you see will be much softer, although it may not be noticed by the general public unless they see a side-by-side comparison with a true imax print. Full-resolution imax is 10240×7470 (10k by 8k), btw, but it isn’t often used in visual effects because of the sheer amount of data required for each frame. Other films will be shot in imax and c-scope, with some sequences being full imax, so in the theater the screen will jump to a taller picture for some sequences. I think Batman did it last summer. Normal theaters will only see a c-scope extraction (trimming top and bottom) during the imax sequences.

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VFX engineer on why Star Trek ain’t IMAX

Periscope Lighted Folio for Kindle 2

Periscope manages to take the clean lines of the Amazon Kindle 2 and wrap it in more leatherette straps and pockets than that time we accidentally started sending the S&M catalogs to the Accounts Payable department. But hey, at least there’s a light. It’s $50.

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Periscope Lighted Folio for Kindle 2

Warmer, warmer: e-paper with sub-second refresh

Unlike other color e-paper examples , Bridgestone’s prototype color e-paper can refresh its screen in just 0.8 seconds , making it fast enough to use with touchpen input.

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Warmer, warmer: e-paper with sub-second refresh

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